Freestyle Dance Training for Musicality

I’m in

Eighty-five dancers at the BTM Experience training in Paris

Dance at your best to any song

Including the ones you have never heard

Freestyle training that gives you one thing to work on at a time, so you can tell whether you are actually getting better. Start tonight.

Eighty-five dancers paid £397 to be in the room in Paris.

This is day one of it, recorded. £47.

Yes, I want this

One payment. Thirty minutes a week. 30 days to decide, no questions asked.

You have probably felt

at least one of these

You get in the cypher and you do the same moves you always do, and don’t know how to break out of that pattern.

A song comes on that you don’t know or don’t like, and you feel overwhelmed, stressed, and overthinking your movement.

You have it in one style and lose it in another. The groove is there in one song and gone in the next.

Some days feel good and some don’t, and you cannot work out why.

And when someone asks how your dancing is going, we don’t really have an answer.

You have no way to

measure your progress

Most things you could train have something to measure. Runners have times. Lifters have numbers. Even choreography has a routine you either know or you don’t.

27:14

Runners

120 kg

Lifters

Freestyle

Freestyle has none of that. You dance, and afterwards you are caught between how it felt and how it looked, so you never really know.

What is missing is not more moves. It is awareness. Knowing what you are doing while you are doing it, and being able to watch it change.

What you get

The four things in the order that make them work

This is not a set of videos to work through however you like. It is a path with one focus at a time, so you always know what you are working on, and you can tell when you have it.

Overcoming overthinking, and setting the foundation.

You stop the running commentary in your head while you dance. This comes first because nothing else works while you are still deciding what to do next in the moment.

Rhythm evolution, and the patterns you repeat.

You find the patterns you go back to without noticing, and you learn how to move off them. This is the one that changes how your rounds look.

Staying on the beat without chasing it.

You learn to work with the music rather than run after it, including on a song you have never heard before.

Full body harmony.

Your movement starts to come from one place, instead of being arms, then legs, then head. This is what makes a round read as whole rather than busy.

Most lessons have levels. One, two or three depending on the lesson, so a dancer with two years and a dancer with fifteen can work the same idea at the right depth. Some principles apply at any level and do not need them.

Before any of it, we show you how to use the programme so you get the most out of it.

Sounds good, let’s do this

Are you actually getting better?

Now you can answer that

Every lesson comes with a practice sheet. One page gives you the idea, the trap to avoid, the level to work at, and how to know when you have it.

The second page is the log. One line after each session.

In your first session you find out how long it takes you to drift from the music. On day one it is usually most of a round. That number is the first thing that starts moving.

Every lesson comes with a practice sheet. One page gives you the idea, the trap to avoid, the level to work at, and how to know when you have it.

The second page is the log. One line after each session.

In your first session you find out how long it takes you to drift from the music. On day one it is usually most of a round. That number is the first thing that starts moving.

Yeah, I need that

Block 1 practice sheet and its two week log

Film yourself today.

Film yourself after lesson four.

You will not need anyone to tell you whether it worked. That is the point of doing it in this order.

A dancer standing still on the teal lit stage, looking down, before starting the eight week path

Today

The same dancer eight weeks later, head tilted back and arms sweeping, moving freely to the music

After lesson 4

I got it, I’m in

Dancers around the world

train with us

For over twenty years I have danced, battled, judged, and taught. More than 2,000 dancers have trained with me inside BTM. Here is what some of them say about our work.

What dancers are saying about our courses

Say no more, I’m in

Who this is for

and who it is not

This is for you if

You already have some experience in freestyle. This works on how you approach the music, so you need some experience to start with.

Any style, any level. Most lessons have two or three levels, so whether you are two years in or fifteen, you work the same idea at the right depth.

You want to know what to work on next, and to be able to tell when you have it.

You are willing to give it at least thirty minutes a week to practise the exercises.

This is not for you if

You have never freestyled. I would recommend taking local classes first. This training will probably feel too advanced.

You are looking for new moves to learn. This is not a library of steps. Your vocabulary will grow, but from understanding the way you already move, not from adding movements.

You cannot give it thirty minutes a week. The material is not the work. The practice is.

If you are not sure whether you are ready, that is what the levels are for. You get more from doing level one properly than from reaching for level three.

What it costs

Eighty-five dancers came to Paris for this training. They paid £397 to be in the room.

This is day one of it, recorded, laid out as four lessons you can follow on your own.

£47

one payment

Yes, let’s do this

30 days money back guarantee, no questions asked.

30 days

money back guarantee

I understand you might be wondering whether it is really for you or not. There is no risk. You have thirty days to try it, and if for any reason you feel it is not for you, reach out to us and we will send you a full refund.

Questions dancers ask

What level is this for?

What if I am a complete beginner?

What styles does it work with?

How does it work?

How much time do I need?

When do I get access?

Is this the whole Paris training?

Do you offer a refund?

When you have worked

all four

You will have gone through one thing at a time, in the order that makes them work. And you will not need anyone to tell you whether it changed. You will be able to look back at where you started and see it.

I’m in, let’s go

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